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One Take Super 8 Screenings
October 18 - October 19
Join us for the world premiere of 22 new analogue movies presented LIVE on celluloid Super 8 film at Metro Studio Theatre!
The One Take Super 8 is a decentralized network of filmmaking challenges and screenings presented across the globe — since its inception more than 20 years ago it has inspired the creation and screening of over 1000 films in more than 50 locations around the world. CineVic proudly presents the fifth annual Vancouver Island edition of ‘OTS8’ for your local viewing pleasure.
Earlier this summer, participants from Victoria and the surrounding region were given a camera, a roll of film, and one week to create their own 3-minute Super 8 movie. The only catch: no editing. The filmmakers had to capture their scenes in order with no second chances, and they’ll witness their work for the first time along with the audience at two live screenings!
Drinks will be available for purchase, and the audience is invited to stay for a short mingle after the show.
Scroll down for more info on the films and filmmakers:
⬇️ 🎬 ⬇️
Friday October 18th +
Saturday October 19th 2024
7:00pm
Metro Studio Theatre
1411 Quadra Street
Victoria / Lək̓ʷəŋən Territory / BC / Canada
$10 Advance Tickets • $15 At the Door
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*Please note the same film program will run on both nights.*
*Advance tickets are recommended. Eventbrite ticket sales will end 2 hours before showtime, any remaining tickets will be available at the door.*
🎸 * Just Added * 🎹
The Fri Oct 18th screening will feature live music pre-show and post-show by the JOAN BESSIE DUO!
The Joan Bessie duo is an original folk-rock act from Victoria. The first Joan Bessie single, “G.G.” spent 10 weeks on the CBC Music Top 20 chart, hitting #3 and prompting the production of a music video through CineVic’s 2019 One Take Super 8. They’re back this year with another short film, and we’re stoked to have them perform as well!
The Way Back Home
My-Le Vu
My-Le Vu (she/her) is a second-generation Vietnamese screenwriter. The Way Back Home is a love letter to the neighbourhood she grew up in and an appreciation for the pure, limitless imagination children have. This is her first time working with Super8. Child My-Le would’ve also had a blast with it.
200 Seconds on Scafe Hill
Nick Noble
Due to a scheduling mixup, I ended up only having a single evening to plan and shoot my film. I lugged the camera up to the summit of Scafe Hill in Thetis Lake Regional Park and started shooting without much of a plan. The result is a series of simple nature shots that I hope will be relaxing and immersive. If not – it was a learning experience!
Deprogrammer
Eva Grant & Yasmeen Grant & Hunter Grant
Deprogrammer is a proof-of-concept, a hypothesis, and an inquiry. A visual mood board for Eva Grant’s feature screenplay Apotheosis, about a brilliant but unorthodox cult deprogrammer’s quest for freedom at any cost. Deprogrammer explores memory, identity, and consciousness in a series of baseline tests. The Tooth & Nail Team are weirdos.
The White Cloth
Charles Amartey & Rodney Kwaku Boateng-Sarpong
A startling sight of a Black man wrapped in immaculate white cloth, perhaps signifying strength, purity, or identity, opens this Super 8 film. A major internal or external struggle is hinted at as the second scene switches to a man standing in an elevator with his white cloth now torn to bits. The fragmentation and unbroken portions of the material create a visual contrast that suggests themes of dissolution, vulnerability, and metamorphosis. With its sparse speech and personal cinematography, the movie quietly examines the factors and pressures that weaken people’s sense of identity in today’s, frequently repressive society.
I Ride Alone
Jessica Beach & Elvie Simons Jessica Beach is a songwriter who puts out music under the artist name Joan Bessie. Elvie Simons is a writer and theatrical producer. They collaborated on the official music video for “G.G.” in the 2019 One Take Super 8 challenge and have teamed up again to create a music video for the latest Joan Bessie single, “I Ride Alone”. Joan Bessie music is available on all major digital music platforms.
Terror
Brodie Calis & Low Alamode All the the staff had heard the stories. Some thought it was real, others thought it was just superstition. But once the patrons have left, and you lock the doors, when your alone in that dark underground basement of the arcade, you cant help but feel like someone or something is watching you. Some say its just mice, but you’re not too sure.
Ace Venturers
Ali Tahmasebi
For more than 4 years, I have been part of a group of volleyball players that play every weekend during the summer and spring. I have made so many beautiful memories and I made this film to capture a moment in time where I got to hangout with these amazing people. It only felt right to do this with a super 8 camera because of the nostalgic quality of capturing something in film. This is a film that our group can look back at many years later and cherish the friendships and memories that were made.
Cooking with Carol
Kristy Cussen & Amina Luthi
Cooking with Carol is a satirical short about a woman’s escape from the confines of the “perfect life.” Inspired by 1950s TV ads and gender norms, it delves into the tension between societal expectations and suppressed desires. Amina, a filmmaker who has worked in all facets of film from Directing and Cinamatography to Production Design teamed up with Kristy, a Screenwriter working in production. The two first connected on the set of a Christmas movie in the art department where their shared creative vision sparked collaboration exploring conformity and rebellion.
(untitled)
Sydney Playfair
Digging Ditches
Johnny Cole
Johnny Cole is a 23 year old filmmaker and screenwriting student living in Victoria BC. With a focus on the human condition, his films attempt to give insight into the complications of being alive, while translating complex feelings and motives to screen. Digging Ditches is Johnny’s first foray into Super 8 filmmaking, and an attempt to grapple with the perception of death. Does the view change when confronted with your own reflection?
You Are My Sunshine. The Clown + The Witch
Sidney Dillon & Asia-Lee SheriffFilmed on traditional territories of the ləkw̓əŋən people two lost souls struggle in a youth-centric culture. When they meet, love frees them from societal pressures. Together, they rediscover their inner child and realize self-acceptance is the key to living freely. Created by Sidney Dillon (he/him) and Asia-Lee Sheriff (she/her), they draw inspiration from their relationship journey to find their place in the world. Film is their love language. Asia, immersed in film from a young age, worked at one of Victoria’s last video stores, while Sidney has made a skate video and two shorts at Galiano film school.
Engraved
Erika Dyer & Conor McNair
Erika and Conor met a year ago working in the art department on a short film. This Super 8 is the first film they have written and made together and are currently working on the next one. Engraved is about a couple celebrating their wedding and doing what they love. All couples have different ways of keeping their love alive. Thanks to the talented cast, Sydney McClintock, Owen Weitzel, and Cooper Kopec.
Don’t Forget! Catch Your Breath
Maddison Davyduck
Hi I’m Maddie and I’m a student at UVic currently working on writing and film studies. The concept for this short came together quickly while I was at work and I was able to shoot a few days following. My inspiration mainly came from the model of final girl films as well as a 60’s noir version of those anti-piracy ads. I wanted to make something suspenseful but that didn’t take itself too seriously.
Anastomosis of Sunlit Generations
Jeffrey Ellom
Jeffrey Ellom is a settler of West African and European descent who creates film and sound art. Anastomosis of Sunlit Generations pays tribute to evolutionary biologist Lynn Margulis, whose book Symbiotic Planet is excerpted throughout. This pieces traces through microcosms of emergence and convergence, celebrating the ways that all are interdependent. Anastomosis, the fusing of branches or converging of streams, describes the ways that distant relatives return to each other, again and again. Many thanks to the Hul’q’umi’num’ speaking peoples, the Lekwungen speaking peoples, and the W̱ SÁNEĆ nations, on whose lands this film was created.
Two Lines
Ava Creed & Saule Olson We wanted to show a representation of the always flowing path of love throughout life. How you may walk past someone one day without any knowledge of your future love for them. How love can be represented in so many different elements of the same form and how our paths are always intertwined.
Wash Over
Aya Behr
Aya Behr (They/Them) is a Black and Jewish high school student passionate about fostering community building through art. Born and raised on the territory of the Lekwungen-speaking peoples, Aya is influenced by their parents, who come both from diasporic communities. Their heritage fuels Aya’s dedication to using art to bring people together and create inclusive spaces. In Wash Over the foggy shore of Willows Beach washes curls that flow and dance in waves. Gentle finger combing and serene waves parallel each other in Wash Over offering a glimpse into the magnitude of Black hair care.
good thing
Nikki Wilkinson
Nikki has been grateful to be a visitor on Coast Salish territory since 2015, after growing up in the Okanagan. She is a multidisciplinary artist who primarily works with sound, clay and film as her mediums. This piece is her 4th short film and focuses on the representation of yearning for something that’s not quite in reach. A special thank you to Andrea Skylerk for filming and lending her Volvo to be used in the shoot!
Worms
Alex Skorochid
Alex Skorochid is a writer and visual artist who lives with his partner and two sons in Victoria, BC. His film ‘Worms’ is intended as a celebration of the resiliency of the earth and the joy of children shown through the simple act of digging for worms. That said–if there isn’t a saying about working with children and animals… there should be.
Strictly Ballroom
Tyson Laidler
Strictly Ballroom is inspired by my love of steadicam cinematography and the vintage look of Super 8 film. After floating some ideas around in my head, I decided to ask my model/dancer friend Muirina to be involved and if she could dance for the film. Her specialty is classic Ballroom dancing, which requires a dancing partner. Thankfully she was able to get her boss at the Adam Hanna Dance studio to be her partner in the project. I placed my Nizo camera on a DJI Ronin gimbal for when they move around the room and triggered the shutter with a release cable. Strictly Ballroom is my 3rd year submitting for the Cinevic One Take Super 8, the previous years being 2019 and 2021.
the pull of the no longer and the not yet
Lee Ingram & Woes Fairbairn
With a sense of aimlessness, uncertainty, and concern, ‘the pull of the no longer and the not yet’ was intended to be a film searching for the ghosts that haunt these sacred yet exploited lands…but perhaps it captured something else. Lee Ingram is a multi/inter-interdisciplinary artist and storyteller based between Lək̓wəŋən territories (Victoria) and Tiohtià:ke (Montreal). Working primarily with the body, Lee focuses on improvisation and experimentation, with attention to rhythmical qualities, processes, and patterns. Interested in interactions between people and environments, Lee engages in everyday gestures, sounds, feelings, and sensations to connect various realms and spaces, both present and ancestral.
I am me
Hannah Brown
Hannah is a multiply disabled, neurodivergent, queer, and a non-binary (trans+) person, and bring these intersectional marginalised identities to all the work that they do, including creative projects. Hannah is also a white British settler on ləkw̓ əŋən lands. This film is a journey with Hannah to see the world through their eyes if only for a moment. The film was inspired by “I am me” a spoken word poem Hannah wrote to explore the various seen and unseen aspects of identity that create the self.
The Coast is Clear
Jacqueline Morassutti & Cory Pahl
The idea for The Coast is Clear began as an experimental take on the 116 year-old English tongue twister “she sells seashells on the sea shore” by Terry Sullivan. What if there was more to the story of the woman selling seashells than we previously knew? The coastal setting added another layer of word play which became central to the plot. As farmers and aspiring filmmakers, Jacqueline Morassutti and Cory Pahl set out to create a story that showcased a love of language and land.
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CineVic acknowledges and respects the long and continuing history of the Lək̓ʷəŋən-speaking people, now known as the Songhees and Esquimalt Nations on whose traditional and unceded territory we carry out our activities.
Thank you to our sponsors and partners: Niagara Custom Lab, UVic African & Caribbean Students’ Association, UVic Society for Students with a Disability, City of Victoria Artist in Residence: Kemi Craig, Do250, Capital Daily.
CineVic gratefully acknowledges the financial assistance of Canada Council for the Arts, Province of British Columbia, British Columbia Arts Council, and the CRD Arts & Culture Support Service.